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Track List
01) Love Me
02) Virginia Moon
03) Turn Them
04) Baby, It's Cold Outside
05) Bull Rider
06) Ruler of My Heart
07) The Best Part
08) Take Off Your Cool
09) Life Is Better
10) Soon the New Day
11) Little Lou, Ugly Jack, Prophet John
12) Here We Go Again
13) Loretta (live, 2004)
14) Dear John
15) Creepin' In
16) Court & Spark
17) More Than This
18) Blue Bayou
01) Love Me
02) Virginia Moon
03) Turn Them
04) Baby, It's Cold Outside
05) Bull Rider
06) Ruler of My Heart
07) The Best Part
08) Take Off Your Cool
09) Life Is Better
10) Soon the New Day
11) Little Lou, Ugly Jack, Prophet John
12) Here We Go Again
13) Loretta (live, 2004)
14) Dear John
15) Creepin' In
16) Court & Spark
17) More Than This
18) Blue Bayou
3:53
3:51
4:06
4:00
2:58
3:00
3:25
2:38
4:27
4:04
4:25
3:58
3:22
4:36
3:03
7:36
4:12
3:43
Data Complete
90%
Total Rating
90%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2010
Jazz
Relaxed
Jazz
Beach
Medium
Compilation
0 copies
Album Description
Available in:
...Featuring Norah Jones is a compilation album by American artist Norah Jones. It was released on November 16, 2010, on Blue Note Records. The record includes songs by other artists on which Jones appeared, including songs by her side projects the Little Willies and El Madmo. The album includes "Here We Go Again," a duet with Ray Charles, which won the Grammy Award for Record of the Year in 2005. The song "Little Lou, Ugly Jack, Prophet John" by Belle & Sebastian appeared one month after the release of the album on which it was originally included—Belle & Sebastian Write About Love.
User Album Review
A raft of dinner party albums from Norah Jones has been irreversibly with us throughout the last decade and, as much as her vocal prowess has impressed, the inevitable impression is of lightness, insubstantiality. To observers who don't have dinner parties, she is borderline tawdry, saccharine and marooned between jazz acceptance and the infested waters of easy listening. What may have escaped said observers, though, is that on occasion she has been a part of some genuinely interesting collaborations, which is where this surprisingly varied collection of duets comes in. But be warned – the quality is as variable as the cast.
At its worst, the collection feels predictable. Virginia Moon, a duet with Foo Fighters, can’t go down as Jones’ fault, fortunately – blame lies squarely with Dave Grohl, who leaves nothing for Jones to do, a mere backing vocalist on an under-written and sickly ballad. You can almost hear Grohl’s eyebrows arching in a tasteful wince. Similarly, Willie Nelson and Jones’ take on Baby It’s Cold Outside is deeply unattractive, and no amount of plinking piano can save it from being a complete turn-off.
Peppered across the record are uninspiring jazzy ballads, what you might call ‘stock’ for Jones. However, as we’ve established, there are some super surprises for those who might not have gotten past Come Away with Me. Take Off Your Cool is a blissfully meandering acoustic work that brilliantly pits Jones against Andre 3000 of OutKast, a luxurious song that sounds haunting when removed from the context of the latter’s The Love Below record.
Furthermore, the superb pairing of Jones with Belle and Sebastian yields the strongest result on the whole record. Little Lou, Ugly Jack, Prophet John is a proper, adult pop song that shows Jones having a ball with lines like "can I see what’s underneath your bed", and "can I stay until the milkman’s working". The virtue has to lie mostly with the Scottish legends, but Jones brings such depth to the recording that it seems impossible to imagine it without her.
It’s fair to say that for every misstep there’s an unexpectedly winning duet, but not enough of Jones’ maturity is brought to the fore. There’s too much inoffensive filler that doesn’t do her justice, and it’s indisputable that it would’ve been a stronger release had it been pruned of several songs.
External Album Reviews
None...
User Comments
Available in:
...Featuring Norah Jones is a compilation album by American artist Norah Jones. It was released on November 16, 2010, on Blue Note Records. The record includes songs by other artists on which Jones appeared, including songs by her side projects the Little Willies and El Madmo. The album includes "Here We Go Again," a duet with Ray Charles, which won the Grammy Award for Record of the Year in 2005. The song "Little Lou, Ugly Jack, Prophet John" by Belle & Sebastian appeared one month after the release of the album on which it was originally included—Belle & Sebastian Write About Love.
User Album Review
A raft of dinner party albums from Norah Jones has been irreversibly with us throughout the last decade and, as much as her vocal prowess has impressed, the inevitable impression is of lightness, insubstantiality. To observers who don't have dinner parties, she is borderline tawdry, saccharine and marooned between jazz acceptance and the infested waters of easy listening. What may have escaped said observers, though, is that on occasion she has been a part of some genuinely interesting collaborations, which is where this surprisingly varied collection of duets comes in. But be warned – the quality is as variable as the cast.
At its worst, the collection feels predictable. Virginia Moon, a duet with Foo Fighters, can’t go down as Jones’ fault, fortunately – blame lies squarely with Dave Grohl, who leaves nothing for Jones to do, a mere backing vocalist on an under-written and sickly ballad. You can almost hear Grohl’s eyebrows arching in a tasteful wince. Similarly, Willie Nelson and Jones’ take on Baby It’s Cold Outside is deeply unattractive, and no amount of plinking piano can save it from being a complete turn-off.
Peppered across the record are uninspiring jazzy ballads, what you might call ‘stock’ for Jones. However, as we’ve established, there are some super surprises for those who might not have gotten past Come Away with Me. Take Off Your Cool is a blissfully meandering acoustic work that brilliantly pits Jones against Andre 3000 of OutKast, a luxurious song that sounds haunting when removed from the context of the latter’s The Love Below record.
Furthermore, the superb pairing of Jones with Belle and Sebastian yields the strongest result on the whole record. Little Lou, Ugly Jack, Prophet John is a proper, adult pop song that shows Jones having a ball with lines like "can I see what’s underneath your bed", and "can I stay until the milkman’s working". The virtue has to lie mostly with the Scottish legends, but Jones brings such depth to the recording that it seems impossible to imagine it without her.
It’s fair to say that for every misstep there’s an unexpectedly winning duet, but not enough of Jones’ maturity is brought to the fore. There’s too much inoffensive filler that doesn’t do her justice, and it’s indisputable that it would’ve been a stronger release had it been pruned of several songs.
External Album Reviews
None...
User Comments
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