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Track List
01) Money Talks
02) Losers
03) Hard Times
04) Reality
05) Takin' Care of Business
06) People Lie
07) Unemployment
08) Trouble in the City
09) Teardrops in My Tequila
10) Livin' Here Too
01) Money Talks
02) Losers
03) Hard Times
04) Reality
05) Takin' Care of Business
06) People Lie
07) Unemployment
08) Trouble in the City
09) Teardrops in My Tequila
10) Livin' Here Too
4:21
2:42
3:56
2:24
2:11
2:11
4:10
3:24
2:18
2:18
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1983
Americana
Good Natured
Blues
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Medium
Album
0 copies
Album Description
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#8 is the eighth album by JJ Cale. Released in 1983.
For #8, Cale reconvened with producer Audie Ashworth and the usual group of ace session musicians who played on his previous records, including drummer Jim Keltner and keyboardist Spooner Oldham, as well as Fairport Convention guitarist Richard Thompson, among many others. In fact, on the track “Talkin’ Care of Business,” Cale name drops many of his musician friends in tribute. (“Tim Drummond’s on the bass, Jim Keltner‘s on the drums, They’ll put it right on you for a shot of rum…”) Musically, #8 is less polished than his previous album Grasshopper, with most of the songs having a rock and roll swagger. Lyrically speaking, however, with the exception of “Takin’ Care of Business,” the subject matter on #8 is unremittingly grim. The cynical “Money Talks” (“You’d be surprised the friends you can buy with small change…”), “Hard Times,” “Unemployment,” and “Livin’ Here Too” deal with harsh economic woes and dissatisfaction with life in general. “Losers,” a song co-written with wife Christine Lakeland, explores a similar theme, while “Trouble in the City,” like his earlier song “Downtown L.A.,” presents the seedy underbelly of urban life. The bitter “People Lie” addresses mendacity, with Cale counting governors, princes, preachers, and presidents among those who “when they say one thing, they mean something else completely.” The provocative “Reality” speaks to using drugs to escape many of the problems he chronicles on the album, singing “One toke of reefer, a little cocaine, one shot of morphine and things begin to change,” and adding “When reality leaves, so do the blues.”
Memphis songwriter Paul Craft composed “Teardrops in My Tequila, not Cale. “Paul Craft, you know who he is?” Cale once asked an interviewer. “Paul Craft and I got to be cronies. I was a big fan of his, some of the songs he wrote just laid me out…”
(Wikipedia)
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Available in:
#8 is the eighth album by JJ Cale. Released in 1983.
For #8, Cale reconvened with producer Audie Ashworth and the usual group of ace session musicians who played on his previous records, including drummer Jim Keltner and keyboardist Spooner Oldham, as well as Fairport Convention guitarist Richard Thompson, among many others. In fact, on the track “Talkin’ Care of Business,” Cale name drops many of his musician friends in tribute. (“Tim Drummond’s on the bass, Jim Keltner‘s on the drums, They’ll put it right on you for a shot of rum…”) Musically, #8 is less polished than his previous album Grasshopper, with most of the songs having a rock and roll swagger. Lyrically speaking, however, with the exception of “Takin’ Care of Business,” the subject matter on #8 is unremittingly grim. The cynical “Money Talks” (“You’d be surprised the friends you can buy with small change…”), “Hard Times,” “Unemployment,” and “Livin’ Here Too” deal with harsh economic woes and dissatisfaction with life in general. “Losers,” a song co-written with wife Christine Lakeland, explores a similar theme, while “Trouble in the City,” like his earlier song “Downtown L.A.,” presents the seedy underbelly of urban life. The bitter “People Lie” addresses mendacity, with Cale counting governors, princes, preachers, and presidents among those who “when they say one thing, they mean something else completely.” The provocative “Reality” speaks to using drugs to escape many of the problems he chronicles on the album, singing “One toke of reefer, a little cocaine, one shot of morphine and things begin to change,” and adding “When reality leaves, so do the blues.”
Memphis songwriter Paul Craft composed “Teardrops in My Tequila, not Cale. “Paul Craft, you know who he is?” Cale once asked an interviewer. “Paul Craft and I got to be cronies. I was a big fan of his, some of the songs he wrote just laid me out…”
(Wikipedia)
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