Album Title
The Notorious B.I.G.
Artist Icon Ready to Die (1994)
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Back Cover
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First Released

Calendar Icon 1994

Genre

Genre Icon Hip-Hop

Mood

Mood Icon Party

Style

Style Icon Urban/R&B

Theme

Theme Icon ---

Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

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World Sales Figure

Sales Icon 3,300,000 copies

Album Description
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Ready to Die is the debut album of American rapper The Notorious B.I.G., released September 13, 1994 on Bad Boy Records. The first release on the label, it features production by record producer and Bad Boy founder Sean "Puffy" Combs, Easy Mo Bee, Chucky Thompson, DJ Premier, and Lord Finesse, among others. Recording sessions for the album took place during 1993 to 1994 at The Hit Factory and D&D Studios in New York City. The partly autobiographical album tells the story of The Notorious B.I.G.'s experiences as a young criminal, referring to himself as "the black Frank White". Ready to Die is his only studio album released during his lifetime; B.I.G. was murdered days prior to the release of his second album Life After Death (1997).
Ready to Die gained strong reviews on release and became a commercial success, reaching quadruple platinum sales. It was significant for revitalizing the East Coast hip hop scene, amid West Coast hip hop's commercial dominance. The album's second single, "Big Poppa", was nominated for a Grammy Award for Best Rap Solo Performance at the 1996 Grammy Awards. Ready to Die has been regarded by several music critics as one of the greatest hip-hop albums of all time. In 2003, the album was ranked number 133 on Rolling Stone magazine's list of the 500 greatest albums of all time, making it the third highest hip hop album on the list after Raising Hell and It Takes a Nation of Millions to Hold Us Back. In 2006, Time included it on their list of the 100 greatest albums of all time.
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User Album Review
The album that reinvented East Coast rap for the gangsta age, Ready to Die made the Notorious B.I.G. a star, and vaulted Sean "Puffy" Combs' Bad Boy label into the spotlight as well. Today it's recognized as one of the greatest hardcore rap albums ever recorded, and that's mostly due to Biggie's skill as a storyteller. His raps are easy to understand, but his skills are hardly lacking -- he has a loose, easy flow and a talent for piling multiple rhymes on top of one another in quick succession. He's blessed with a flair for the dramatic, and slips in and out of different contradictory characters with ease. Yet, no matter how much he heightens things for effect, it's always easy to see elements of Biggie in his narrators and of his own experience in the details; everything is firmly rooted in reality, but plays like scenes from a movie. A sense of doom pervades his most involved stories: fierce bandits ("Gimme the Loot"), a hustler's beloved girlfriend ("Me & My Bitch"), and robbers out for Biggie's newfound riches ("Warning") all die in hails of gunfire. The album is also sprinkled with reflections on the soul-draining bleakness of the streets -- "Things Done Changed," "Ready to Die," and "Everyday Struggle" are powerfully affecting in their confusion and despair. Not everything is so dark, though; Combs' production collaborations result in some upbeat, commercial moments, and typically cop from recognizable hits: the Jackson 5's "I Want You Back" on the graphic sex rap "One More Chance," Mtume's "Juicy Fruit" on the rags-to-riches chronicle "Juicy," and the Isley Brothers' "Between the Sheets" on the overweight-lover anthem "Big Poppa." Producer Easy Mo Bee's deliberate beats do get a little samey, but it hardly matters: this is Biggie's show, and by the time "Suicidal Thoughts" closes the album on a heartbreaking note, it's clear why he was so revered even prior to his death.


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