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Track List
01) Just One of Those Things
02) I'm All Over It
03) Wheels
04) If I Ruled the World
05) You and Me Are Gone
06) Don't Stop the Music
07) Love Ain't Gonna Let You Down
08) Mixtape
09) I Think, I Love
10) We Run Things
11) Not While I'm Around
12) Music is Through
13) I Love This
14) Gran Torino
15) Grace is Gone
16) Don't Stop the Music (Live from the Oak Room
01) Just One of Those Things
02) I'm All Over It
03) Wheels
04) If I Ruled the World
05) You and Me Are Gone
06) Don't Stop the Music
07) Love Ain't Gonna Let You Down
08) Mixtape
09) I Think, I Love
10) We Run Things
11) Not While I'm Around
12) Music is Through
13) I Love This
14) Gran Torino
15) Grace is Gone
16) Don't Stop the Music (Live from the Oak Room
4:35
3:40
3:43
4:36
5:05
4:49
3:57
4:58
4:16
3:31
3:52
7:07
4:45
4:32
3:13
5:13
Data Complete
70%
Total Rating
70%Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2009
Jazz
Happy
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Jamie Cullum tipped too heavily toward coffeehouse electronica on his fourth album, Catching Tales, obscuring his charms as both a jazzy pianist and a soft rock crooner, so he wisely scales back to his strengths on The Pursuit. Despite a brassy opening cover of Cole Porter’s “Just One of Those Things,” The Pursuit is hardly a retreat to Harry Connick, Jr. territory. Cullum anchors himself within melodic soft rock, providing a base for incorporating both his jazz and persistent electronica infatuations. Since The Pursuit is produced as a pop album, those electronica flourishes wind up seeming seamless, underscoring what Cullum does best: unabashedly mainstream adult pop, whether it’s the insistent rush of “Mixtape” or the wonderful ‘70s throwback “I’m All Over It.” Much of The Pursuit mines this fertilely mellow vein, producing a bunch of understatedly melodic music whose consistency suggests that Cullum realizes his strength as a soft rock singer/songwriter.
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Jamie Cullum tipped too heavily toward coffeehouse electronica on his fourth album, Catching Tales, obscuring his charms as both a jazzy pianist and a soft rock crooner, so he wisely scales back to his strengths on The Pursuit. Despite a brassy opening cover of Cole Porter’s “Just One of Those Things,” The Pursuit is hardly a retreat to Harry Connick, Jr. territory. Cullum anchors himself within melodic soft rock, providing a base for incorporating both his jazz and persistent electronica infatuations. Since The Pursuit is produced as a pop album, those electronica flourishes wind up seeming seamless, underscoring what Cullum does best: unabashedly mainstream adult pop, whether it’s the insistent rush of “Mixtape” or the wonderful ‘70s throwback “I’m All Over It.” Much of The Pursuit mines this fertilely mellow vein, producing a bunch of understatedly melodic music whose consistency suggests that Cullum realizes his strength as a soft rock singer/songwriter.
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