Album Title

Elton John
Empty Sky
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8:27
4:09
3:13
4:27
3:08
3:39
3:13
3:33
6:58

Total Rating

(1 users)

First Released

1969

Genre

Pop

Mood

Excitable

Style

Rock/Pop

Theme

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Tempo

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Release Format

Album

Record Label Release


World Sales Figure

0 copies

Album Description
Empty Sky is the debut album by British singer/songwriter Elton John, released on 3 June 1969. It was finally released in the US in January 1975, with a different cover photograph, well after John's fame had been established internationally. Recorded during the winter of 1968 and spring of 1969 in a DJM 8-track studio, Empty Sky is the only album in the early part of his career not produced by Gus Dudgeon, instead helmed by friend and DJM staffer Steve Brown.

John plays harpsichord on several tracks, including "Skyline Pigeon", which John has described as being "the first song Bernie and I ever got excited about that we ever wrote."

John used musicians that were either his or Brown's friends. Guitarist Caleb Quaye and drummer Roger Pope, both members of the band Hookfoot at the time, played on many of the tracks. (Quaye and Pope would rejoin John a few years later as part of his studio and touring band behind Rock of the Westies in 1975 and Blue Moves in 1976.) Tony Murray from The Troggs played bass. Empty Sky is the first appearance with John of then Plastic Penny and Spencer Davis Group member Nigel Olsson, who played drums on "Lady What's Tomorrow?" (Olsson and fellow Spencer Davis bandmate, bassist Dee Murray, would soon join John as his early '70s touring band.) Also listed in the production credits is Clive Franks, who would later produce John's live sound in concert for a tremendous amount of his touring career, as well as occasionally co-produce with John on albums such as A Single Man and 21 at 33. The original sleeve design was done by David Larkham (billed as "Dave"), who would go on to create designs for John and other artists.

Although John has since called the album naive, he does have fond memories of making the record. These include walking home from recording at 4 a.m. and lodging at the Salvation Army HQ in Oxford Street, which was run by Steve Brown's father. "I remember when we finished work on the title track - it just floored me. I thought it was the best thing I'd ever heard in my life," John recalled.


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