Album Title
Lily Allen
Artist Icon Alright, Still (2006)
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First Released

Calendar Icon 2006

Genre

Genre Icon Pop

Mood

Mood Icon Happy

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Parlophone

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Sales Icon 0 copies

Album Description
Available in: Country Icon
Alright, Still is the debut album by British pop singer-songwriter Lily Allen, released on 14 July 2006 by Regal Recordings. Recording the album began with sessions between Allen and production duo Future Cut, and Allen's work garnered publicity on the Internet as she posted demos to her MySpace account before they were officially released. The songs are heavily influenced by Jamaican ska music, and their lyrics are conversational and farcical.
Because there are many instances of strong profanity in a great majority of the album's songs, it was released with a Parental Advisory warning, though the song "Friday Night" remains censored on all versions of the album.
The album was released to generally positive reviews among music critics. It was commercially successful in the United Kingdom, having been certified 3× platinum. Alright, Still has sold over 5 million copies worldwide. The album earned a nomination for Best Alternative Music Album at the 50th Grammy Awards.
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User Album Review
Lily Allen: her of heart-shaped earrings, fluorescent eye liner and summer anthem "Smile", has created a neat, cohesive debut, describing urban life from the clever girl's perspective. The cockney accent and little melodies will invite comparison to chavvy soul-brother Mike Skinner, but these are songs in a completely different league: laugh out loud funny, clever, and satisfyingly vengeful.
We're talking about bad credit ratings, unattractive coke abuse, unwanted chat ups, useless lovers and colourful nightclub politics, like "Friday Night", set to a backing reminiscent of the Specials' "Ghost Town". This girl's far too smart for the crappy nights out, rubbish mates and loser exes she wryly describes.
Many of her reggae-fused songs stick in your head whilst you desperately suss out why they're familiar, but she rips off her influences with a comic acknowledgement, like "Shame For You", which blatantly lifts the chorus hook from "You Don't Love Me (No No No)" by Dawn Penn. I'm just sad that her song about her nanna being covered in cat hair didn't make it. Maybe on the follow up ...


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